No two audiences are the same, so no two edits are either — each one built around what the client wanted their followers to feel. Motion in After Effects, edit and color grade in DaVinci Resolve
Drag the handle to compare raw against edited — a quick look at how I approach color grading in Lightroom
At 25, I've spent years turning other people's ideas into something people actually feel — born in Colombia, now based in Vancouver, mostly self-taught along the way.
I studied animation and visual effects, but most of what I know about editing and color grading came later — through courses, tutorials, and a lot of trial and error. I've always cared as much about the process as the result.
My long-term goal is a seat at a major animation studio, working on visual effects full-time. Until then, every project here gets that same level of care — and hey, if you want to see some of the VFX, click here.
A video doesn't succeed the moment it's exported — it succeeds the moment someone stops scrolling. That's the only metric that was ever real: not the cut, not the grade, not the gear — what an audience chose to watch.